Walls rising, next.

The walls of the new studio are miraculously rising and I can envision one day walking in the front door to see the weavers and their looms by their south facing windows. I tingle with the new studio becoming a three dimensional reality  but I also feel a new horizon looming. I have done lots of designing in my life. I have designed tapestries, rugs, yoga classes, workshops and South African tours  but lying awake in the middle of the night, I begin to try to envision the design of this community complex. Once the studio is complete Mapusha will relocate but what more is needed to nourish the whole, to create a vital community hub?  Granted, my role is to simply find a vision and hold it. I can’t make it happen, only the community members can do that but still the vision of the whole design feels important at this formative moment in Roiboklaagte. 

It was the grannies of rural South Africa who captured my heart ten years ago and it is Gertrude, Regina, Lindy and the three Anna's who have modeled for me both a new level of faith and how to put one foot in front of the other no matter what the circumstances. They have shown me over and over their great ability to sing, pray, dance or laugh on a dime but, sitting on the steps with Emerencia, Regina's very successful and delightful thirty-four year old daughter, when I asked her opinion of what we needed at the New Dawn Center, she shocked me.  She said bluntly, "The Mapusha women are too old. They grew up under Apartheid and it is the younger generation who must make a difference now."  

Her comment made everything stand still for a moment but, as I mulled it over I felt my vision broaden.  Now my puzzle is how to bring in that next generation. We have the creche with the small children and the art class for the medium children and the Mapusha grannies to ground it all but how to bring on that middle range, the twenty and thirty somethings who haven't moved from the village but have a passion to make something of their lives.
It helps to understand what note, what flavor is needed for the whole design to really sing but once again I am faced with a new realm, new words and tasks. Vision as I may, try as I might it will only succeed if many from the community join us and share the vision. The motto of the New Dawn Center is "Working together we have power" but how to move that forward is my current question.
 

The drilling rig will lumber up next week to dig our borehole and I will be adding 'building renovation and refurbishment' to my portfolio as we finally begin to spiff up the Peanut Building/Community Development Center. The pieces of the physical design are coming into place but creating a vital community hub means finding a way to mix, match and merge many energies. The goal is  to form a smoothly functioning whole and we aren’t there yet. I am  holding thumbs and asking for help, ideas, inspiration from all quarters!

Concrete?

I was driving home from my first full week of managing the building of Mapusha’s new studio with the list of supplies needed for next week by my side. The trenches were complete and on Monday the crew would ‘throw the footing.”  Feeling pretty smug about how well week #1 had gone, I started going over the list in my head. "Bags of cement, got that. Truckload of sand, makes sense to me," but,  the next item on the list threw me into instant brain freeze. 

Concrete, how can I order concrete? What is concrete? Isn’t that what we are making?  If that is what we are making, what am I ordering? I tried to call up an image of concrete that wasn’t a finished product; a bench, a set of steps, a swimming pool. Nothing else floated into my blank mind.  I pulled to the side of the road and texted my visiting American builder friend, “What is concrete?” I learned that when they say concrete here, they are actually referring to what I would tend to call gravel. 

Back on the road as I passed through the high grasses of the summer bush, I found myself remembering other times when, being beyond the edge of my own known boundaries, I hit the same kind of skid-to-a-stop moment. There have been lots of these in my take a leap life but I had never before understood it so clearly. Brain freeze is truly a necessary condition when you are in new world.  The new vocabulary necessitates tilt moments, you simply don’t have a reference from the past for what is in front of you. 

Most of us know the feeling of being in a foreign country not knowing what the signs or the people are saying but this is slightly different, a bit more subtle and confusing. My first vivid memory of it was long ago on a yoga mat at a weekend intensive as a raw neophyte  student. It took all my courage to sign up for this intensive with an internationally known teacher and on the first day I sat on my mat scared, awkward, ready to do my best.  The beautiful, ethereally, leggy teacher drifted to the front of the room and began the class but to my horror she used sanskrit names for the yoga asanas. I didn’t know these words, she might as well have been speaking greek. I remember my frozen self sitting there with wide eyes, a pounding heart and an empty mind. 

Week #3 on the building site was about brick building and again, I hit a  conundrum moment. If they “threw the footing” last week what does one call this brick building phase of the base? Once again a builder type friend explained that the concrete “laid” last week and the brick walls of this week together create the footing. I now accept the fact that it will take me at least through the roofing to learn the vocabulary, but by then it won’t be a new world anymore.

Next the slab is laid. The thought of this, with all that I know it involves and all that I don't know, brings a heightened sense of tension to my bones!

This week's first picture is my wonderful foreman, Demond. He is now officially Anna Mduli’s ‘son’ as she cooks pap and moroho for him daily. Probably everybody else in the world knows that the next two pictures are of the ‘footing.” And the final picture is of Elena with her father, Philip, our top bricklayer. I have known Elena since she was 3 weeks old (the women at the coop call her “my baby”) but In her seven years I had never met her father until this project began.  It was a treat for me to walk over with her on Thursday and see how she adores him and how sweet he is with her.

Water? Water! Water @#$%^&*()@#$%^&*()

Yes, week two was the week of water; the need for it and all the convoluted tangles involved with obtaining it.  Water was the ball that this juggling project manager had to keep in the air each day as I concentrated on maintaining a steady supply to feed the voracious cement mixer. The goal was to complete the studio’s footing within three days and return the mixer friday afternoon. And, though Regina and Gertrude had politely asked for permission to use the two neighboring boreholes (both within sight of our building site) one at the mission and one at the high school, they were refused by the mission and received no answer at all from the high school. 

I could go into a tangent and describe my complete hissy fit, see red tantrum on Wednesday  when I returned to the studio, triumphant from getting the cement mixer in place on schedule, to find it completely empty. I called Wonder, “Where are you all?”  She reported that the Father’s had said ’no’ to our water request and so they were getting water themselves.

I went out into the village and found the women by the side of the road scooping muddy water from a leaking pipe into containers. I protested loudly, 

“We paid the mission for water rights, we pay each month for water. It is not fair. I want to speak to the Fathers”

“No Judy, you must say nothing.” Gertrude mimed zipping my lips closed.  

“But it is so unfair!” I stormed again, to which she replied, ”It is alright for God knows the truth. We will get the water, we will carry it on heads. The women of Mapusha have power.” Finding it Impossible to argue with her reasoning, I simply sighed.
Regina kindly added,”You may  speak of it in America, but here, no. It will cause problems.” 

So my pictures are all about water - the hungry mixer, our new Jojo tank that must be painstakingly filled with containers of water, the women of Mapusha filling their containers from the leaking pipe, Veronica performing the endless transfer of water.  I have to say, after just one week of doing this intense water jig it gives me pause to consider all the people world wide who dance the need-water-dance day in, day out. It seems an arena fraught with both the potential for great conflict and the possibility of inspirational cooperation.  

The week ended on a positive note when Desmond (foreman) and his 6 member crew really stepped it up to complete the footing before the mixer had to be returned. They stayed late and skipped breakfast. I was truly impressed as I stood on a mound of red soil with my camera in hand watching them work together like a well greased machine. The buckets were filled with sand or gravel or water and fed to the machine with perfect timing and the gritty, grey, liquid cement poured into the waiting wheelbarrow which was immediately rolled down into the trench and dumped. They finished an hour early and received their first pay envelopes from Desmond and a liter of their preferred ‘cool drink”  and a hand shake from me. 

It is the way it seems to go  here.  Sometimes I am pulling my hair out at the petty jealousies that rip through the fabric of the community and other times I stand in awe of the remarkable capacity within this rural South African village to cooperate and get the job done.

 I drove home that day sunburned, tired, proud of our trenches, our footing and our crew but guiltily ready to jump into the beautiful swimming pool at the house where I stay.

Stay tuned for more water wrangling and my next learning trajectory as we move into brick laying on Monday.